Wednesday, July 28, 2021

Why can't adults have some fun too? ЁЯШЙ

Earlier days, every road used to be spacious enough for children to play and adults to walk the talk! There used to be many playgrounds where children and adults play in their group-defined territory on weekends! This right-turned-privilege has changed over a period of time due to urbanization and dense housing everywhere. There are a few real playgrounds left in every district and those are not in the immediate neighbourhood as they used to be. Even schools lacking enough play space is another thing.

As a replacement, government has been opening parks in every community. Any place with more than a hundred or two has a park of their own. Visibly, these parks all across the state has similar structure and play equipment. There is a huge walking space designed around the play area for adults and there are seats meant for resting and chatting. Overall, these parks are for good health and recreation. The private hotel spaces that have play area are also meant strictly for children. While adults relax for a while, children spend time playing. So far so good!! 

                                            courtesy: google images

Now to my focal point,

What wrong did adults do to not use the play equipment in such parks is something I wonder about!! Why are they meant only for children? In most places, they are meant for those below five years of age!!!! Even the law calls everyone till the age of 18 as a child!! And many grown-ups are still child at heart, mind and body!

Won't adults love to swing for a while?

Do we not get the tickle to slide?

Can't we enjoy a bit of 'see-saw'?

Don't we see adults who break this rule in parks to pamper and refresh themselves?

Do we not use them under the pretext of holding our child?

Most of these times, adults are literally thrown out citing age reasons! 

The predominant reason for such age restriction is the quality of play equipment. They are made to bear the weight of children below a particular age. And the other ironic reason is adult policymakers categorize play areas & equipment for children and walking area for adults. What's wrong if I see this as an unacceptable exclusion? I and all of us deserve to have fun, irrespective of our age. 

Will it not make a huge difference if those are inclusive - for adults and differently-abled too - in nature? Who will pass this message to decision makers? Amidst other burning challenges that face adults, parks might be of little significance, unfortunately!!!!

Tuesday, July 20, 2021

Reel and Real in God's own country!

Everyone on earth would fall in love at first sight with the landscape of God’s own country. Besides its scenic beauty, the state has several other feathers to the cap such as the highest literacy rate in the country, existence of communism – though in pieces, assertiveness of its people, never-ending interest to learn multiple languages, so on and so forth.

courtesy: Kerala tourism

Of course, the state has its own other side!!!! Of them, there is quite a lot of contradictions seen and heard of late. One such is the reel and real picture of Kerala.

No matter what the grave COVID situation was/is, the state’s film industry has been making quite a number of movies, most of them being good and did not fail to attract attention from a wide audience. Particularly, “The Great Indian Kitchen” evoked a huge (positive) public response for it deals with dirty patriarchy, and the firm stance of the female lead towards the climax. Another latest flick, “Sara’s”, touches upon a sensitive subject – to or not to give birth to a child is the decision of women. This movie again has a strong woman lead, who amidst the conventional rain of questions, decides what is best of her. Not just these, many a number of Malayalam movies give a strong role to female characters.

Such films being on the reel side, real news on the other side gives an ugly picture of Kerala such as women succumbing to domestic violence, early girl marriages, gory dowry deaths and silence acceptance of every other form of abuse. Immaterial of the educational qualification of women, these cases are quite normal and often featured in media.

                                        courtesy: Indian express

That brings me to the point of contradictions! Are these progressive movies a depiction of exceptional instances to be the harbinger for future? Are the movie-makers sincerely progressive enough to think beyond real? Is the Malayalam film fraternity trying to paint the real nasty, offensive behaviour with reformist ideas to please the outside world? Are such movies made to attract mere attention and have a hit at the box office? Are these the genre meant for winning awards? God knows!

Once Tamil Director Mani Ratnam was questioned by a (female) fan as to how and why his movies’ female lead characters – since his early days of movie making – are strong and bold when the reality was/is no way near. He said that he always wanted to see women around him that way and therefore he did/does portray them so. He also added that it was his wish to see women everywhere evolve stronger and stronger like his characters do.

                                            courtesy: Chai Bisket

If Malayalam movies  do the job of making their women tougher and decisive in making their own lives’ path, it is more than fair!  After all, we all look forward to a better world!

Friday, April 16, 2021

роХோроЯ்роЯைроХро│ுроХ்роХு роЪுро▒்ро▒ுрок்рокропрогроо் роЪெро▓்ро▓ ро╡ிро░ுрок்рокрооா? ЁЯЪЩ

рокро│்ро│ிрок் рокро░ுро╡род்родிро▓் роХோроЯ்роЯைроХро│ைрок் рокро▒்ро▒ி рокாроЯрод்родிро▓் рокроЯிрод்родродோроЯு роЪро░ி. ро╡ேро▓ூро░் роХோроЯ்роЯை, роЪெроЮ்роЪிроХ் роХோроЯ்роЯை рокோрой்ро▒ро╡ро▒்ро▒ிрой் рокெропро░்роХро│் рокро░ிроЪ்роЪропрооே родро╡ிро░ ро╡ேро▒ேродுроо் роЪுро╡ாро░ро╕்ропрооாроХро╡ோ, роЙро▒்роЪாроХрооாроХро╡ோ родெро░ிрои்родிро░ுрои்родродாроХ роиிройைро╡ிро▓்ро▓ை. роОрои்род ро╡ро░ро▓ாро▒்ро▒ு роЖроЪிро░ிропро░ுроо் роХோроЯ்роЯைроХро│ை рокாро░்роХ்роХрод் родூрог்роЯுроо் роЕро│ро╡ிро▒்роХு роЕродрой் ро╡ிро╡ро░роЩ்роХро│ை роОроЯுрод்родுро░ைрод்родродிро▓்ро▓ை. 
родро▒்рокோродு родрооிро┤роХ рооாро╡роЯ்роЯроЩ்роХро│ை роЪрои்родро░்рок்рокроо் роХிроЯைроХ்роХுроо் рокோродெро▓்ро▓ாроо்  роЪுро▒்ро▒ிрок்рокாро░்роХ்роХро▓ாроо் роОрой்ро▒ு рооுроЯிро╡ெроЯுрод்родродிро▓ிро░ுрои்родு роХோроЯ்роЯைроХро│ை рокாро░்роХ்роХ роиேро░்роХிро▒родு. роЕро╡்ро╡ாро▒ு рокாро░்род்род роЪிро▓: ро╡роЯ்роЯроХ்роХோроЯ்роЯை, роХрой்ройிропாроХுрооро░ி; родро░роЩ்роХроо்рокாроЯி, роиாроХрок்рокроЯ்роЯிройроо்; роЪெроЮ்роЪிроХ் роХோроЯ்роЯை, родிро░ுро╡рог்рогாрооро▓ை; ро░роЮ்роЪрой்роХுроЯி, рокெро░роо்рокро▓ூро░்.

роЗроХ்роХோроЯ்роЯைроХро│ுроХ்роХு рокொродுро╡ாрой роЪிро▓ роХுрогроЩ்роХро│்:

  • рокுроХைрок்рокроЯроЩ்роХро│ிро▓் рокாро░்роХ்роХ рооிроХро╡ுроо் ро╡роЪீроХро░рооாройро╡ை.
  • роиேро░ிро▓் роЪро▒்ро▒ு родொро▓ைро╡ிро▓ிро░ுрои்родு рокாро░்роХ்роХ роЕро┤роХோроЯு роХூроЯிроп роЖроЯроо்рокро░рооாрой, роХроо்рокீро░рооாрой родோро▒்ро▒роЩ்роХро│்.
  • ро╡ро░ро▓ாро▒்ро▒ுроЪ் роЪிро▒рок்рокுрооிроХ்роХро╡ை.
  • ро╡ிроЪாро▓рооாройро╡ை. 
  • рокோро░் роХாро▓роЩ்роХро│் роХுро▒ிрод்род роЖро░்ро╡род்родை ро╡ெроХுро╡ாроХ родூрог்роЯроХ்роХூроЯிропро╡ை.
  • роЖро┤рооாрой роХேро│்ро╡ிроХро│ை роОро┤ுрок்рокроХ்роХூроЯிропро╡ை.
  • роХுроЯுроо்рокрод்родுроЯрой்/роирог்рокро░்роХро│ுроЯрой் роТро░ு роиாро│் роЪுро▒்ро▒ுро▓ா роЪெро▓்ро▓ роПро▒்ро▒ роЗроЯроЩ்роХро│்.
  • роХாро▒்ро▒ோроЯ்роЯрооாрой рооро░роЩ்роХро│ிрой் роиிро┤ро▓ிро▓் роЗро│ைрок்рокாро▒ роЗропро▓ுроо்.


рооேро▒்роХுро▒ிрок்рокிроЯ்роЯ роХாро░рогроЩ்роХро│ுроХ்роХாроХ роХோроЯ்роЯைроХро│ைроЪ் роЪுро▒்ро▒ிрок்рокாро░்роХ்роХ рооுропро▒்роЪிрод்род рокோродு роЪிро▓ рокாроЯроЩ்роХро│ைроХ் роХро▒்ро▒ோроо். 

  • роХрог்роЯிрок்рокாроХ ро╡ெропிро▓் роХாро▓роЩ்роХро│ிро▓் роХோроЯ்роЯைроХро│ை роЪுро▒்ро▒ிрок்рокாро░்роХ்роХ роЪெро▓்ро▓роХ் роХூроЯாродு. родрооிро┤роХрод்родை рокொро░ுрод்родро╡ро░ை роЬூро▓ைроХ்роХு рокிро▒роХு роЯிроЪроо்рокро░ுроХ்роХுро│் рокாро░்рок்рокродு роЪро░ிропாройродாроХுроо். роОроХ்роХாро▓род்родிро▓ுроо் родொрок்рокி роЕрогிрои்родு роЪெро▓்ро╡родு роиро▓роо்.
  • роХрог்роЯிрок்рокாроХ роЪுроороХ்роХроХ் роХூроЯிроп роЕро│ро╡ிро▒்роХு родрог்рогீро░் роОроЯுрод்родு роЪெро▓்ро▓ ро╡ேрог்роЯுроо்.
  • роОрои்род роХோроЯ்роЯைропிрой் роЕро░ுроХிро▓ுроо் роиро▓்ро▓ роЙрогро╡ு роХிроЯைрок்рокродு роХроЯிройроо்.
  • роЕро░ை роиாро│ிро▓் роХோроЯ்роЯைропை рокாро░்род்родுро╡ிроЯ்роЯு роЕроЯுрод்род роЗроЯрод்род்ро▒்роХு роЪெро▓்ро▓ро▓ாроо் роОрой்ро▒ рокேроЪ்роЪிроХ்роХே роЗроЯрооிро▓்ро▓ை. (роО.роХா.) роЪெроЮ்роЪி ро░ாрогி роХோроЯ்роЯை роороЯ்роЯுроо் рокாро░்роХ்роХро╡ே роТро░ு роиாро│் роЖроХுроо். рокுроХைрок்рокроЯроЩ்роХро│் роОроЯுрод்родாро▓் роЗрой்ройுроо் роХூроЯுроо்.
  • роУро░ро│ро╡ிро▒்роХு роЗроХ்роХோроЯ்роЯைроХро│ிрой் ро╡ро░ро▓ாро▒்ро▒ை роХродைрокோро▓ родெро░ிрои்родுроХொрог்роЯாро▓் роХுро┤рои்родைроХро│ிроЯроо் (роЙроЯрой் ро╡ро░ுроо் рооро▒்ро▒ро╡ро░்роХро│ுроХ்роХுроо் роХூроЯ) роХூро▒ ро╡роЪродிропாроХ роЗро░ுроХ்роХுроо்.
  • роиிроЪ்роЪропроо் рокெро░ிроп роХுро┤ுроХ்роХро│ாроХ роЪெро▓்ро▓ுродро▓் роиро▓роо். роЪோро░்ро╡ு роПро▒்рокроЯுродро▓் роЪுро▓рокрооாродро▓ாро▓் роХுро┤ுро╡ாроХ роЪெрой்ро▒ாро▓் ро╡ிро│ைропாроЯ்роЯாроХ роЪெро▓்ро▓ роЗропро▓ுроо்.
  • ро╡ропродாройро╡ро░்роХро│ுроХ்роХு роПро▒்ро▒ роЪுро▒்ро▒ுро▓ாрод்родро▓роо் роЗро╡ை роЕро▓்ро▓.

рооேро▒்роХுро▒ிрок்рокிроЯ்роЯро╡ро▒்ро▒ை рооройродிро▓் роХொро│்ро│ுроо்рокோродு роХோроЯ்роЯைроХро│ை роЪுро▒்ро▒ிрок்рокாро░்роХ்роХ роЪро░ிропாрой роХாро▓роо் рокро│்ро│ிрок்рокро░ுро╡роо் роЕро▓்ро▓родு роХро▓்ро▓ூро░ிрок்рокро░ுро╡роо் роОрой்ро▒ே родோрой்ро▒ுроХிро▒родு. роХро│ைрок்рокு роОрой்рокродே родெро░ிропாрод ро╡ிро│ைропாроЯ்роЯுрок் рокро░ுро╡род்родிро▓் роХродைроХро│ோроЯு роХோроЯ்роЯைроХро│ை роЪுро▒்ро▒ிрок்рокாро░்рок்рокродு роОро│ிродாройродு роороЯ்роЯுрооро▓்ро▓ роЪுро╡ாро░ро╕்ропрооாройродுроо் роХூроЯ. роЪро▒்ро▒ு ро╡ропродு роХூроЯிропро╡ுроЯрой்  роЪோроо்рокро▓ுроо் роЕро▓ுрок்рокுроо் роЪோро░்ро╡ுроо் родொро▒்ро▒ிроХ்роХொро│்роХிро▒родு. рокிро│்ро│ைроХро│ுроХ்роХு роИроЯு роХொроЯுроХ்роХ роЗропро▓ாрооро▓் рокோроХிро▒родு. рооேро▓ுроо் роирог்рокро░்роХро│ுроЯрой் рокாро░்роХ்роХுроо்рокோродு рооройродிро▓் роЖро┤рооாроХ рокродிрои்родு роиро▓்ро▓ роиிройைро╡ுроХро│ைроХ் роХொроЯுроХ்роХро╡ро▓்ро▓родு.

рокро│்ро│ிроХро│ிро▓ோ роХро▓்ро▓ூро░ிроХро│ிро▓ோ роЪுро▒்ро▒ுро▓ா роЕро┤ைрод்родு роЪெро▓்ро▓ுроо் рокோродு роХோроЯ்роЯைроХро│ை рокிро│்ро│ைроХро│் рокெро░ிродுроо் ро╡ிро░ுроо்рокுро╡родிро▓்ро▓ை (роиாрооுрооே роЪிро▒ு ро╡ропродிро▓் ро╡ிро░ுроо்рокிропродிро▓்ро▓ை). роХாро░рогроо், роЕроХ்роХோроЯ்роЯைроХро│ை ро╡ிро░ுроо்рокுроХிро▒ро╡ாро▒ு роиாроо் роОродைропுроо் роЪொро▓்ро▓ிроХ்роХொроЯுрок்рокрод்родிро▓்ро▓ை. роЕродрой் роЕрои்родро░роЩ்роХроЩ்роХро│ை ро╡ிро╡ாродிрок்рокродிро▓்ро▓ை. роЕродрой்рокிрой் роЙро│்ро│ роЕро░роЪிропро▓ை родெро░ிропрок்рокроЯுрод்родுро╡родிро▓்ро▓ை. роЗро╡ро▒்ро▒ை роЪெроп்ропுроо் рокроЯ்роЪрод்родிро▓் рокிро│்ро│ைроХро│் родாрооாроХ рооுрой்ро╡рои்родு роЕро╡்ро╡ிроЯроЩ்роХро│ுроХ்роХு роЕро┤ைрод்родு роЪெро▓்ро▓ுрооாро▒ு роЖроЪிро░ிропро░்роХро│ைропுроо், рокெро░்ро▒ோро░்роХро│ைропுроо் роироЪ்роЪро░ிрок்рокро░். ро╡ро░ро▓ாро▒ுроо் ро╡ிро░ுрок்рокрок் рокாроЯрооாроХுроо்.

Wednesday, March 31, 2021

Relishing Calvin and Hobbes ЁЯТХ

        The national daily "The Hindu" has always featured the famous comic strip Calvin and HobbesЁЯТХ But I have begun to associate myself to it in my late 20s or early 30s only. ЁЯШЫ 


        Being the first in my family to go to an English medium school, purchasing and reading an English daily was never ever a thought. Always felt that English newspapers were meant for upper elite class ЁЯШО where my peer groups were second generation English learners ЁЯШЕ. 

        Even after newspapers began to catch its space during the course of higher education, I had always been reluctant to read Calvin and Hobbes ЁЯЩИ. I wonder WHY!!!! I could arrive at few absurd reasons: 

(1) in newspaper, it is always in black and white, and most importantly in small fonts; 

(2) always assumed that the language level would be hard; 

(3) back then, thought it was meant for those elite KIDS and not to ones of my age!

        I was wrong in almost all fronts!! Comic strip has more to do with pictures and less with fonts ЁЯСА. And language is far easier than what I used to read in Editorial page ЁЯШВ and above all, Calvin and Hobbes is for both adults and children!!! ЁЯСкЁЯШН 

      How adventurous it would be for kids to imagine a tiger toy becoming the best friend! Any kid would get its imagination widened to befriend its favorite animal ЁЯШ╗ And every kid and adult would see themselves in Calvin in one place or the other ЁЯШВЁЯШЖЁЯШЕ Truly fun-filled! and rarely tears-filled too! ЁЯШК

       The strip effortlessly deals with the most basic yet the most difficult subject on earth "Philosophy" in the most entertaining and catchy manner! Be it anything and everything under the sky that concerns a child (from school to death) is stunningly depicted and captioned ЁЯШЗ

       Lately, I find a lot of similarities between Calvin and Shin Chan ЁЯТЮ and I love both of them, of course Hobbes too ЁЯТЯ And my day doesn't end without them! ЁЯШШ

P.S.: I really wonder why my English teachers never made a mention of any comic strip which is always an easy and attractive way to approach the language!!!! ЁЯШЮ 

Friday, February 12, 2021

The Great Indian Kitchen - An experience ЁЯСк

Disclaimer: Trust me,  I am a no "fake feminist" ЁЯЩП and no major spoiler ahead ЁЯШЭ

Often we are bombarded with messages, films and news pieces as "Must-Watch/read for Women".ЁЯШЕ You, gentlemen, here is a MUST-WATCH PIECE for you, "The Great Indian Kitchen". Don't miss it. Watch it on NeeStream.ЁЯОж


The title when first read sounded like a 'reality show' on TV channels that air unique and majestic kitchens across India and related entertaining facts. Surprisingly, it is a realistic picture shot in a kitchen of our own household-like with most of our characters - directly or indirectly! ЁЯШГ No character is wrong but Patriarchy is - the core of this film!!! 

At one point in time, the movie-watcher starts gasping for air by merely watching the amount of work a housewife does. Of course, times have changed and there is a sense of sharing in some of our households, but in a democratic county, apparently we go by majority. In that connection, yes, I do not hesitate to say that kitchens own Indian housewives. Working women - that play dual roles - have no escape eitherЁЯСО.  As I personally know men who do not even wash their tea glasses at houses, the director's portrayal is no exaggeration at allЁЯЩЖ. But same men would stick to etiquettes elsewhere! Hypocrisy at best! Shameless! ЁЯШД

Though I am not for those isolation practices during menstrual cycles, I initially felt happy for the lead character to have been isolated for it would give her the much needed rest. As movie goes on, that happiness is not long livedЁЯЩЕ. Woman to woman equation is also unpleasant. ЁЯШУ 

And yeah, women cannot be open to husband as far as sexual desires are concerned. Even usage of word "foreplay" attracts insult. 

The whole movie moves like a documentary though. However visits of guests, what kitchen work composes of, how personal needs of each and everyone vary, why even mothers are for patriarchal practices, elegantly touching upon respecting one's opinion, and making life's choices are all genuinely pictured!ЁЯСН

On a personal note: 

(1) To make some of you jealous ЁЯШЙ: I watched the film alone and did not recommend it to my husband as it has no relevance to him! ЁЯТЦЁЯТЮ Lucky me ЁЯШН

(2) My attitude towards being a guest to a house has changed.ЁЯСн

(3) I personally remind my family male and female members that ours is a not a great Indian kitchen. ЁЯЩЕ

Thursday, February 4, 2021

Origami: an underestimated form of learning

In a recent workshop on Origami (paper folding) conducted by Kutty Aagaayam, children were told that origin of the art is not clear - whether Japan or China. Doesn't matter; Immaterial of origin, its relevance is worldwide - for all ages. Anyone would love to try a hand at it, if exposed.

The highest form of paper folding I learnt in my childhood was making a boat, a rocket and a camera. I seriously cannot recall anything more! And the only one I still remember is making of paper boat ЁЯШЭ

Pathetic, ain't I? But thanks to Sadako Sazaki, I learnt to make paper cranes! 

This art form has gained significance in recent times where children are enrolled in art and craft classes. Also spaces such as YouTube are browsed to try folding papers for beautiful home decors and fun-filled play items. COVID-19 outbreak has raised viewers and experimenters as children remained indoors for almost a year. Now, there is one important question that pops up in my mind!! 

Why weren't I introduced/taught Origami in Mathematics classes in my school???!!!! ЁЯШХ

There are undoubtedly many benefits of learning this art. Some are;

1. It is FUN with shapes and colors
2. Gives an hand-eye-brain coordination
3. Develops problem-solving skills
4. Instills creativity and provokes curiosity
  
Of course we all know this! Besides, it is the most loving way to learn Mathematics. That is why I strongly recommend that Origami should be taught not only in art and craft classes but importantly in Mathematics. Will tell you why!

Learning basic shapes: Children could have hands-on training on shapes by folding and/or cutting papers. A paper can be turned to any shape - not only the basic ones - square, rectangle, triangle and circle. After making and learning, the same shapes could turn to a home decor with children's art on it!!



Fractions: It is easier to understand what half, one-third, one-fourth and so on are, by a mere folding of paper!!! It directly has an impact on learning basic addition, subtraction, multiplication and division.



Geometry: Learning this branch of Mathematics is not only important but also difficult for most of us. To understand area, angle and dimension of each shape is what geometry is all about. Till now, these are taught with 2D drawings on blackboard leaving us confused ЁЯШЯwhereas Origami will help us learn with 3D shapes made by ourselves. What more one needs to learn it better and easier!!!!



All these with minimal use of tools such as scissors, compass and the like. A Mathematics teacher mastered in Origami can tell us more benefits in detail! As a parent, I imagine how beautiful it would be, to see children coming out of Mathematics classes with color papers and shapes, in addition to better learning!!ЁЯШН

Any parent reading this, please insist your child's Mathematics teacher to incorporate Origami in your child's class! It would beat the teacher's monotony and also bring interest in subject for the child. Truly a win-win situation!ЁЯТЦ

P.S.: A scene in Putham Puthu Kaalai where grandpa would say ludo is nothing but Mathematical Law of Averages. That easy is Mathematics, if rightly and interestingly taught. Unfortunately, I did not come across one such teacher in school! ЁЯШЮ 

Thursday, November 26, 2020

A surprise from Gautham Vasudev Menon

"Classy romance" is what we see in most of Gautham's movies. Almost all of his films are made for urban audience given its elite environment, English dialogues and portrayal of love. His latest outing, "Avalum Naanum, Avarum Naanum" (ANAN) was a true surprise to me, though he stuck to his strengths. As a part of the recently OTT released anthology film, Putham Puthu Kaalai, ANAN has captured love between two, in fact three, so beautifully!!! ЁЯТЩЁЯТЪЁЯТЫ


The whole short film features a high profiled grandfather (thaathaa) and his new generation granddaughter (Kanna). They both were totally awesome and effortlessly pulled us into their (less than half an hour) journey. The camera not only captures these two lead characters but also thaathaa's lovely house and its interiors. Emotions we find even on walls of the house match perfectly well with that of thaathaa and Kanna. 

The camera shows the two and their interactions, slowly growing bond and the love they finally find for each other, and interestingly music introduces the third character, VOICE!!!! For thaathaa, his pride of life is his daughter's voice, which according to him is strangled and lost!!! The way he expresses his love for his daughter and the latter's voice in the background, accompanying music are all soul stirring!

ЁЯО╡ЁЯО╢ЁЯО╡ЁЯО╢"Kanna Thoothu Poda" in Govind Vasantha's music, Bombay Jayshree's voice and karky's lyrics is the top notch of the whole film. The visuals too!! It solely communicates his daughter's love for him, her response to his disappointment ЁЯШК and in turn thaathaa's love for his daughter ЁЯШК, the nucleus of this film. I fell in love with the song; in fact anyone would! Such a blissful one after a long time!! ЁЯО╡ЁЯО╢ЁЯО╡ЁЯО╢

The title "Putham Puthu Kaalai" seems to be very apt for this short film (of course for others as well). Every dawn is beautiful and miraculous; so is the bond between thaathaa and kanna that grows, changing their lives more loving day after day! 

Life doesn't hide that beauty from any of us; may be sometimes we fail to spot it! Every dawn is a new beginning to pick up from wherever we left and however it is!!ЁЯТЧЁЯТЧ

Who Wrote the Indian Constitution? ЁЯТн

"Who wrote the Indian Constitution?" - If this question was asked to me, I would have straight away said "Dr Ambedkar", ...